Critical Essay Part I
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"I wished to show, in little Oliver, the principle of Good surviving through every adverse circumstance, and triumphing at last." ~Charles Dickens
As seen in both the novel and Polanski’s movie adaptation, Oliver Twist is portrayed with innocence as a major personal trait; however, this picture of innocence varies throughout these two sources, therefore altering the audiences’ image of Oliver as a whole. These sources show Oliver remaining pure in a corrupt place, but these images go about different ways to create his character. In Dickens’s novel, Oliver is described as being unaware of his surroundings, therefore giving the reader the image of Oliver as a small, meek child, but Polanski ultimately reinterprets the character of Oliver. The movie adaptation works as a translation of Dickens’s novel by changing the way in which the audience views his character. While the novel merely portrays Oliver as a meek child who is unaware of his surroundings, the movie’s actual visual sources show Oliver as innocent, yet independent a the same time giving the audience two different understandings of the character of Oliver as whole.
The novel Oliver Twist
follows the orphan on his quest for his true identity. Throughout this
quest for selfhood Oliver comes into contact with the corruptive side of
reality, ultimately challenging his innocent character as a whole and leaving
one to ask how does one remain pure and innocent in a cruel and corrupted world.
In Charles Dickens’s novel,
Oliver Twist
a central theme is maintaining innocence in a corrupt location; in this case,
London.
Dickens’s portrayal of innocence in this novel specifically mirrors that
of the Victorian idea of childhood.
This notion of childhood depicts children, such as
Oliver Twist, as being innocent, but susceptible to moral and criminal
corruptions.
The novel focuses on this idea by portraying Oliver as a young,
naïve, innocent child who, throughout the progression of the novel, is forced to
cope with the gang of criminals as well as interpreting their physical actions
as being that of right or wrong.
According to Charles Dickens in his preface to
Oliver Twist,
“I wished to show, in little Oliver, the principle of Good surviving through
every adverse circumstance, and triumphing at last (Miller 36).”
In this novel, Dickens wrote the character of Oliver
Twist as a model of innocence.
Oliver is an overall symbol of a good person who
encounters and prevails over the corruption of evil.
Throughout this novel, Oliver’s purity is tested time
and again, especially when he is introduced to the life of the criminal upon his
arrival in London.
In being a symbol of innocence, Oliver also carries the
trait of being naïve.
In being raised as an orphan, Oliver had no opportunity
to determine any aspect of his own life, but rather lived in a structured
environment where he was told what to do and when to do it and was given what he
need in order to survive.
Therefore, when he arrived in London, Oliver simply
accepted The Artful Dodger’s invitation to accompany him to his living quarters.
“This unexpected offer of shelter was too tempting to be resisted,
especially as it was immediately followed up by the assurance that the old
gentleman already referred to, would doubtless provide Oliver with a comfortable
place without loss of time (Dickens 62).”
In this passage, it is suggested that while Oliver has never met this
“old gentleman” he still trusts that what The Artful Dodger, in whom Oliver has
just met, has said is true.
This scene shows Oliver in a naïve, innocent state.
Oliver has only ever had a place to sleep and provisions
given to him, making these known needs for him showing why, when the Dodger
offered, Oliver accepted.
Oliver does not find the need to take caution when
accepting this proposal, but rather accepts it simply based on the fact that
this is what he needs in order for survival.
The Dodger, being more experienced than Oliver,
concerning getting around in the real world, recognizes Oliver’s innocent
personality and manner, and purposefully offers Oliver something he knows he
will accept.
As stated previously, Oliver’s purity is tested
throughout the novel mainly when introduced to the life and ways of a criminal.
Criminality is, more often than not, associated with
corruption; so one would find it unlikely that Oliver Twist is able to maintain
his innocent stature and personality while in the company of the gang of
criminals.
However, preserving innocence in Oliver’s case is a possible
circumstance due particularly to his naïve outlook on the world.
When introduced to Fagin and the other boys of the
criminal gang, Oliver is introduced to their lifestyle of pick pocketing.
Oliver, however, does not see this as wrong doing due to
the game-like quality it takes on while Charley Bates and the Dodger pick the
pockets of Fagin.
Oliver simply sees this act of thievery as a game to be enjoyed.
He believes, as Fagin has told him that he will one day
be a great man, but unaware to Oliver, their definitions of being “a great man”
differ.
Oliver is searching for a meaning to his life and believes that he will
someday find a purpose for his life; on the other hand, Fagin sees Oliver as
someday becoming a profitable thief.
Oliver is seen as naïve in the sense that he comprehends
Fagin’s words as being solely of truth; he does not fully understand that what
this gang is practicing is wrong, but rather follows their lead.
Throughout this novel, Oliver is seen as being unaware
of his surroundings, making him naïve to what takes place around him, including
his interactions with the criminal gang.
According to John Lucas, “Oliver
Twist…tries to show the criminals for what and as they are
(Lucas 25).”
Oliver Twist does not recognize these criminals for what they
really at first because the world is, in a sense, incomprehensible to him.
When he is first introduced to the criminal lifestyle,
he does not realize the actual harm of their actions, but eventually does come
to understand the reality that they are, in fact, committing crimes.
When Oliver’s actual awareness comes to light is when he
personally experiences the thieving actions of Charley Bates and Dodger out in
the public eye.
“What was Oliver’s horror and alarm as he stood a few paces off looking
on with his eye-lids as wide as they would possibly go, to see the Dodger plunge
his hand into this old gentleman’s pocket, and draw from there a handkerchief,
which he handed to Charley Bates, and with which they both ran away round the
corner at full speed (Dickens 76).”
This selection, from the novel, shows Oliver’s unwillingness to give
into corruption.
He sees Bates and Dodger commit the crime and instantaneously
recognizes it as an evil act.
Oliver’s innocent and naïve personality guarded him from
these occurrences of criminality.
Joseph Miler suggests that, “At first Oliver Twist is
not at all aware of himself or of his situation…But self-awareness does come to
Oliver eventually (36).”
According to Miller, Oliver gains an awareness of his
surroundings, much like what is seen in this section of the novel.
Oliver’s innocence works to shield him from being
affected by the criminal corruption seen and experienced through the criminal
gang.
Oliver is a character who is depicted as a naïve and
innocent child.
These traits shield him from being fully aware of his
surroundings.
Miller suggests, “He has little awareness or understanding of his
plight.
He has merely a vague knowledge that he is living in a kind of earthly
hell, not the lease unpleasant part of which is the fact that he does not
comprehend most of what is going on around him (46).”
Miller explains that Oliver’s innocence aids in his
unawareness.
Oliver does not see the criminals the same way in which society
sees them, and it is this that allows Oliver to remain pure and innocent even
with corruptive evils surrounding him.