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Freshman Composition101-19 MWF 3:00–3:50
Spring 2023
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This is a "real time" syllabus that will be regularly updated and reflect our progress throughout the semester. You can easily check it from a mobile device or from any computer.

The syllabus consists of the Reading Schedule and Course Policies. Students are responsible for understanding and following the schedule and the course policies, which are in effect from the first day of class. Please read them carefully (more than once and throughout the semester). Please see me if you have any questions about them.

Think of the syllabus as a flexible guide. It will structure our semester, but we will adjust it to fit our needs as the semester progresses. Not all assignments and quizzes are listed at the beginning of the semester; some will be added throughout the semester. It may also be necessary to finish some readings the following class period; I will update the syllabus after each class. Again, be sure to check the syllabus regularly.

You do not need to print the syllabus, but if you decide to, be sure to check the online syllabus regularly for new information, added assignments, or reading schedule changes. The print icon above is for print copies.

Our main vehicle this semester for course content will be the Course Website, but it is linked to Canvas, which we may use for some things, such as discussion posts or for accessing video. We will not use the Canvas Gradebook; instead, the Grade Sheet on our Course Notes page (on the course website) will help you track assignments and grades.

We will use three texts for the course to help you learn about the writing process. These texts are not an unnecessary expense but rather helpful resources we will use in class and you will use outside of class to help you become a more effective writer. Students will use the grammar handbook, Rules for Writers, for this course and other courses until graduatation. The following acronyms are used on the Reading Schedule.

TSGW=The St. Martin's Guide to Writing
RW=Rules for Writers

Readings and assignments should be finished for the day assigned. For example, chapter 1 from TSGW should be read (completed) by January 30, when we will discuss it. Check each class period to see what books you need to bring.

January
Monday Tuesday Thursday
23 Course Introduction: Reading, Discussion, Writing

Review Course Website (Syllabus/Policies)/Course Notes/Canvas

First-day quiz


24 Review Course Website (Syllabus, Course Notes)/Canvas

TSGW, Ch 1 (Have reading notes)



26 No Class Meeting





30 TSGW - Finish Ch 1/Ch 13 (Have reading notes)






31 TSGW, Ch 13 (Have reading notes)

You might bring RW for our review of the first-day quiz (bring to class)

Personal Narrative: Preview info on topics (TSGW, Ch 2, pp 53-54)





02 February - Look Below




February
Monday Tuesday Thursday
30 January - Look Above 31 January - Look Above 02 TSGW, Ch 13

Final Thoughts - Chpts 1 & 13
-------------------------------------

Essay 1 - Introduction: Personal Narrative

PowerPt Slides (Course Notes)

TSGW: Preview Chpts 2, 14 (pp 475-82; 485-94)
Preview Couse Notes links for Essay 1

Topic selection (TSGW, pp 53-54):

Scratch outline (TSGW, pp 428-29)

Outside of Class
**Begin working on three topics





06 Essay 1 - Planning

Finish Introduction: PPt Slides--Course Notes

Discuss audience sheet (Course Notes)
Scratch outline (TSGW, p 428-29)

TSGW, Chpts 2, 14 (Have reading notes - key ideas/strategies)

Topic Selection (TSGW, pp 53-54: four criteria to test topics)
**Continue working on three topics with notes--bring to class
for discussion



07 Essay 1 - Planning

Topic Selection (TSGW, pp 53-54)
**Continue working on three topics with notes--bring to class
for discussion (See 2/6)

TSGW, Chpt 2: Sample narratives: 1.) "Mrs. Maxon," p 31;
2.) "Literacy Narrative," p 35.  Discuss these (pp 28-31)

Scratch outline (TSGW, p 428-29)
Audience Sheet (Course Notes)

Planning your essay: TSGW, pp 54-60




09 Essay 1 - Planning

Topic for your personal narrative should be selected

Bring notes about your three topics to class.  I will check these


Continue discussing "Literacy Narrative," p 35.  Discuss these (pp 28-31)

In class:
**Begin drafting scratch outline + audience sheet

TSGW, Chpts 2, 14 (Have reading notes - key ideas/strategies)

RW, Ch 14: Coord/Subord (Preview this chapter/Concept: What is Coordination? Subordination?

Outside of Class
Start drafting scratch outline + audience sheet
13 Essay 1 - Planning

Refine/Adjust topic as needed.  Bring notes about your topics to class, including the topic you will write about

Finish discussing "Literacy Narrative," p 35.  Discuss these (pp 28-31)

TSGW, Chpts 2, 14 (Have reading notes - key ideas/strategies)

RW, Ch 14: Coord/Subord
**Discuss examples, exercises

In class:
**Continue drafting scratch outline + audience sheet
Bring these to class

Outside of Class
**Continue scratch outline + audience sheet
**Prepare for drafting Friday (TSGW, p 60)



14 Essay 1 - Planning

Topic Choice for Essay 1 Assignment Due

TSGW, Chpts 2, 14 (Have reading notes - key ideas/strategies)

In class:
**Continue drafting scratch outline + audience sheet
Bring these to class

RW, Ch 14: Coord/Subord
**Discuss examples/exercises

Outside of Class
**
Finish scratch outline + audience sheet
**Prepare for drafting Thursday: Draft introduction for TH (TSGW, p 60)







16 Essay 1 - Drafting (Bring charged laptop)

Due:
Print copy of scratch outline (5pts).  Either print or photocopy; Do not turn in your original. Turn in at the beginning of class on TH or drop off at my office Friday by 4pm (bin on my office door)

Draft pages one and two. 
Today you will work on drafting and reviewing these two pagesYou should consult and adjust your audience sheet & scratch outline while drafting

Bring
**scratch outline
**audience sheet - I will check everyone's audience sheet
**TSGW, Chpts 2 (pp 54-60; sample essays) & 14 (pp 475-82; 485-94)









20 Essay 1 - Drafting (Bring charged laptop)

**
Pages 1-2 of your draft should be finished

Discuss "Calling Home" narrative (handout)

Today you will work on drafting and reviewing pages 1-3. You should consult and adjust your audience sheet & scratch outline while drafting 

Review PPt Slides

Bring

**scratch outline
**audience sheet
**TSGW, Chpts 2 (pp 54-60; sample essays) & 14 (pp 475-82; 485-94)











21 Essay 1 - Drafting (Bring charged laptop)

Discuss "Calling Home" - Resolution/Description/Transitions

Audience Sheet (Course Notes) - review draft

RW, Ch 14, Exercises
---------------------------------------

**Pages 1-3 of your draft should be finished

Today you will work on drafting and reviewing pages 3-4/entire draft. You should consult and adjust your audience sheet & scratch outline while drafting 

Bring
**scratch outline
**audience sheet
**TSGW, Chpts 2 (sample essays) & 14 (475-82; 485-94)











23 University Cancelled Classes (Snowstorm)




























27 Essay 1 - Peer Review--Must Attend Class In Person

(See peer review policy on the syllabus) 

Bring all books--TSGW, pp 61-62 preview peer review questions)/scratch outline
Bring
1. Copy of Audience Sheet (typed)
2. Copy of completed draft (typed), minimum 4 full pages/max 4.5 full pages

Electronic (laptop/tablet) or handwritten copies of your audience sheet or draft are NOT acceptable for peer review








28 Essay 1 - Return Peer Review Materials to Partner In Class

TSGW, Ch 2: pp 62-65 (Improving the Draft)/54-60;
Chpt 14 (pp 475-82; 485-94)

Revision Chart (Handout)

Revision
**Introduction (Issues we discussed for intro paragraph we reviewed Monday)

Editing
**RW, Ch 16: a-c (Wordiness)/Ch 14








02 March - Look Below
March
Monday Tuesday Thursday
27February- Look Above 28February- Look Above 02 Essay 1 - Revision, Editing

Bring
"clean drafts" (not peer review drafts) to class of your essay + audience sheet so that you can write on these (You can also bring your peer review drafts if you wish.)

Bring
completed revision chart, scratch outline, audience sheet

Discuss Coates narrative ("Losing My Innocence"): TSGW, pp 42-44.  In-class card - significance/thesis


TSGW, Ch 2: pp 62-65 (Improving the Draft)/pp 54-60;
pp 65-68: Writer at Work


Chpt 14 (pp 475-82; 485-94)

Revision
**Introduction

Editing
**RW, Ch 16: d-e (Wordiness)/Ch 14






06 Essay 1 - Revision, Editing, Proofreading

Bring
(latest) copies of drafts
Bring scratch outline, revision/editing chart, audience sheet

Ch 14 TSGW, Ch 2: pp 62-65 (Improving the Draft)/54-60.
Chpt 14 (475-82; 485-94)


Revision (TSGW, p 49-51: Writer at Work)
**Conflict - Specific Thoughts, Feelings
**Resolution/Significance (TSGW, Ch 2)
**Audience Sheet

Editing
**RW, Ch 33 Commas (a-b)/Chpts 16 & 14





07 Essay 1 - Revision, Editing, Proofreading

Bring drafts (3/6)
Bring scratch outline & completed revision/editing chart

Revision
****Vivid Description (TSGW, Ch 14)
**Organization

Editing
**Topic Sentences (TSGW, Ch 13)
**RW, Chpts 33 (a-b), 14 & 16
 
Proofreading








09 Essay 1: Editing

Bring draft of audience sheet & personal narrative
Bring revision/editing chart
**RW, Chpts 20/33 (a-b), 16, 15
----------------------------------------

Introduction - Assign 1: Group Essay, Writing about Comic Strips

Comic Strips (Handouts)
Assign Grps

Collaboration Principles (TSGW, Ch 26/Course Notes)

See PPt Slides (Course Notes)

You should choose one strip to write about by Tuesday (handout)
**Take notes/invention docs - TSGW, Ch 11
**Research - bkgrd info: creators/publication of strip, characters, situations, issues


Essay 1: Peer Review Docs Due (Aud Sheet Draft + Essay Draft + Responses on notebook paper).  Paper clip these (do not staple)


13 Assign 1 - Planning (Bring TSGW/RW)

Bring
your (charged) laptop to class

Review PPt Slides (Course Notes)
**Comic strips - definitions
**Formatting - headings
**(See Course Notes--Examples of text using headings)

Collaboration (TSGW, Ch 26/Course Notes)
**Planning Chart (handout)

Analyze sample strip in class

Begin planning work in class
**Finalize or confirm strip choice
**Notes on strips
**Basic bkgrd/info on strips - research
**Invention doc(s)/Audience considerations

Begin filling in planning chart, e.g., tasks to complete, who will complete tasks, dates when tasks will be finished, in-person meetings, virtual meetings

If you have picked your strip, begin drafting invention doc(s)/audience considerations.  (TSGW, Ch 11)


Essay 1 Docs Due: Final Audience Sheet + Final Essay + Revision/Editing Chart + 2 Scratch Outlines (Graded copy and your revised, working copy).  Paper clip these (do not staple)
14 Assign 1 - Planning (Bring TSGW/RW)

Bring
your (charged) laptop to class

You and your partner should have choosen the one comic strip you will write about

See PPt Slides (Course Notes)
**Purposes, Formatting, Organization, Definitions


Collaboration
**Discuss Collaboration (TSGW, Ch 26/Course Notes)

Planning work in class
**Finalize or confirm strip choice
**Notes on strips
**Basic bkgrd/info on strips - research
**Invention doc(s)/Audience considerations

Continue filling in/adjusting planning chart, e.g., tasks to complete, who will complete tasks, dates when tasks will be finished, in-person meetings, virtual meetings
16 Assign 1 - Planning/Drafting (Bring TSGW/RW)

Bring your (charged) laptop to class

Begin drafting Summary and Description section

**As you draft, consult planning work, e.g., notes, research, invention doc(s), PPt slides


Quoting from comic strips/secondary sources

Sources section: Citing sources (in-text/works cited):
RW (p 403)/TSGW (Ch 20)
**Websites: pp 434-36 (RW)
**Comic Strip: p 442 (RW)
**Article from a database: pp 426 (RW)

Review and adjust planning chart: work during spring break?


For Monday after break
**Finish draft of Summary and Description section
**Begin Strip Analysis section
20 Spring Break
21Spring Break 23Spring Break



27 Assign 1 - Planning/Drafting (Bring TSGW/RW)

Bring (charged) laptop to class

Bring a draft of your essay:

Finish Summary and Description section

Draft Strip Analysis section.  As you draft, consult planning work, e.g., research, invention doc(s), audience considerations, PPt slides

See PPt Slides (Course Notes)
**Formatting, Organization - Headings

**Planning Chart--work on fine tuning details

Sources section: Citing sources (in-text/works cited): RW (403)/TSGW (Ch 20)
**Websites: pp 434-36 (RW)
**Comic Strip: p 442 (RW)
**Article from a database: pp 426 (RW)

Quoting from comic strips (TSGW, 553-55)

RW, Ch 33 (Commas), pp 268-73 (c-e)






28 Assign 1 - Planning/Drafting (Bring TSGW/RW)

Bring (charged) laptop to class

Bring a draft of your essay:

Briefly review/Finish Summary and Description and Strip Analysis sections

Draft Introduction & Evaluation sections
**As you draft, consult planning work, e.g., research, invention doc(s)audience considerations, PPt slides

**Planning Chart--work on fine tuning details

Sources section: Citing sources (in-text/works cited): RW (403)/TSGW (Ch 20)
**Websites: pp 434-36 (RW)
**Comic Strip: p 442 (RW)
**Article from a database: pp 426 (RW)

Quoting from comic strips (TSGW, 553-55)

RW, Ch 33 (Commas), pp 268-73 (c-e)











30 Assign 1: Peer-Review--Must Attend

Each group:
Bring two print versions of draft: 1 1/2 pgs minimum
(See PPt notes for length requirement)

Electronic or handwritten copies of your draft are NOT acceptable for peer review























April
Monday Tuesday Thursday
03 Assign 1: Revsion, Editing, Proofreading

Bring "clean copies" of your comics essay
(You can also bring your peer review drafts.)

Editing
**RW, Ch 33 (Commas), pp 268-73 (c-e)

Revision
**Summary, Analysis sections
**Sources section: Citing sources/integrating sources

Proofreading:  Essay formatting (TSGW, essay on p. 123)/print quality/spelling

Begin previewing/reading stories for Assign 2: See 4/10







04 Assign 1: Revsion, Editing, Proofreading

Bring drafts from 4/3 or latest copies
(You can also bring your peer review drafts.)

Revision
**Summary, Analysis sections
**Sources section: Citing sources/integrating sources

Sources section
**Citing sources/integrating sources

Proofreading:  Essay formatting (TSGW, essay on p. 123)/print quality/spelling

Revision (As time allows)
**Summary and Description
**Analysis

Editing (As time allows)
**RW, Ch 33, c-e/Chpts 14, 16, 33, a-b

Profreading:  Essay formatting (TSGW, essay on p. 123)/spelling

06 Assign 1: Revsion, Editing, Proofreading

Bring drafts from 4/4 or latest copies
(You can also bring your peer review drafts.)

Revision
**Introduction & Evaluation sections

Sources section
**Citing sources/integrating sources

Proofreading:  Essay formatting (TSGW, essay on p. 123)/print quality/spelling

Editing (As time allows)
**RW, Ch 33, c-e/Chpts 14, 16, 33, a-b

Profreading:  Essay formatting (TSGW, essay on p. 123)/spelling

Continue previewing/reading stories for Assign 2: See 4/10

10 Assign 1: Final Thoughts

**Sit with your partner: bring draft, comic strips, planning chart, books, etc

----------------------------------------

Assign 2: Introduction - Formal Sentence Outline for Literary Analysis '

**For the rest of the semester, bring your four stories and
bring TSGW

Preview Course Notes:
Essay 2 - All links

You must read all stories, but you will choose ONE to write about.  (You should have already previewed these and even read one or two).  These four stories are handouts--bring these to class during the next weeks

"Babylon Revisited"
"Brokeback Mountain"
"56 - 0"
 "Slinkers"

**Choose your story for Assign 2 by 11/13. Once you choose a story, you cannot change it. You should be reading stories and taking notes on all stories--have an organized system of taking notes for each story

Planning: TSGW - Ch 10.  Note key pages/strategies

Formal Outline: RW pp 12-14; TSGW, pp 430-31 
11Assign 2 - Planning

Finish Introduction of Assign 2

**For the rest of the semester, bring all four stories to class + TSGW

Reading and Writing about Literature (Lecture). We will combine this lecture with preliminary discussion of the stories. TSGW, Ch 10, pp 399-403: Plot/Setting, Characterization

Bring your four stories

Formal Sentence Outline: RW, pp 12-14; TSGW, pp 430-31. 
Audience Sheet (Course Notes)

Assign 1 Due: 
1.) One copy of final essay per group + 2.) Peer Review docs  (Two Question Sheets + Two Drafts) + 3.) Two planning charts












13 Assign 2: Planning

Story Choice Paragraph Due (Typed)

Finish discussion of Reading/Writing about Literature: Pt of View, Theme (see 4/11)

Formal Sentence Outline: RW, pp 12-14; TSGW, pp 430-31
Also see "Notes on thesis statement," etc)

Audience Sheet (Course Notes)

TSGW, Ch 10 (Sample Essays, pp 390 & 393)

TSGW, Ch 10 (Introduction, p 408; Thesis, pp 404-405; 384; Well-Supported Argument, pp 405-06; Organization, pp 407-08)













17 Assign 2: Planning

Quiz - short stories (all 4 are in play)

Focused Freewriting in class (TSGW p 434) - use short story you are writing about. 
Bring your laptop (charged) to class

**Formal Sentence Outline: RW, pp 12-14; TSGW, pp 430-31
Also see "Notes on thesis statement," outline, . . .

Audience Sheet (Course Notes)

Outside of Class
**Continue studying formal sentence outline
       --format
       --content
**Audience sheet 
18 Assign 2: Planning

Discussion of Stories

Use reading notes + all stories
Be prepared to discuss stories/ask questions
stions

We will discuss "Babylon Revisited"

Outside of Class
**Begin drafting formal sentence outline
**Begin drafting audience sheet 

TSGW, Ch 10
**Thesis: pp 384; 404-05
**Support: pp 385-87; 405-07
**Sample Essays: pp 390 & 393

Consult Reading notes, PowerPt notes, Focused freewriting, Stories

Integrating Quotations: See Power Pt notes (RW); also TSGW, pp 549-55


20 Assign 2: Planning

Discussion of Stories

Use reading notes + all stories
Be prepared to discuss stories/ask questions

Finish "Babylon Revisited."  We will then discuss "56-0"

Outside of Class
**Begin drafting formal sentence outline
**Begin drafting audience sheet 

TSGW, Ch 10
**Thesis: pp 384; 404-05
**Support: pp 385-87; 405-07
**Sample Essays: pp 390 & 393

Consult Reading notes, PowerPt notes, Focused freewriting, Stories

Integrating Quotations: See Power Pt notes (RW); also TSGW, pp 549-55


24 Assign 2: Planning

Be prepared to share your working thesis statement

RW: Grammar review


Discussion of Stories

Use reading notes + all stories
Be prepared to discuss stories/ask questions

Finish "56-0." We will then discuss "Brokeback Mountain" 

Outside of Class
**Continue drafting formal sentence outline
**Continue drafting audience sheet 

 TSGW, Ch 10
**Thesis: pp 384; 404-05
**Support: pp 385-87; 405-07
**Sample Essays: pp 390 & 393

Consult Reading notes, PowerPt notes, Focused freewriting, Stories

Integrating Quotations: See Power Pt notes (RW); also TSGW, pp 549-55







25 Assign 2: Planning

Discussion of Stories

Use reading notes + all stories
Be prepared to discuss stories/ask questions

Finish "Brokeback Mountain."  We will then discuss "Slinkers" 

Outside of Class
**Continue drafting formal sentence outline
**Continue drafting audience sheet 

 TSGW, Ch 10
**Thesis: pp 384; 404-05
**Support: pp 385-87; 405-07
**Sample Essays: pp 390 & 393

Consult Reading notes, PowerPt notes, Focused freewriting, Stories

Integrating Quotations: See Power Pt notes (RW); also TSGW, pp 549-55



27Assign 2: Planning (Bring your charged laptop)

Bring your formal sent outline and audience sheet to class--drafts in progress.  I will check (not collect) these

Finish thoughts for "Brokeback Mountain" and continue with "Slinkers"

In class: Draft your formal sentence outline and audience sheet

 Drafting Resources

 TSGW, Ch 10
**Thesis: pp 384; 404-05
**Support: pp 385-87; 405-07
**Sample Essays: pp 390 & 393

RW, 12-14

Consult Reading notes, PowerPt notes, Focused freewriting, All stories

Integrating Quotations: See Power Pt notes; also TSGW, pp 549-55/RW - See PPt notes
May
Monday Tuesday Thursday
01 Assign 2: Drafting (Bring your charged laptop)

Finish "Slinkers"

In class: Draft your formal sentence outline and audience sheet

 Drafting Resources

TSGW, Ch 10 (Introduction, p 408; Thesis, pp 404-405; 384; Well-Supported Argument, pp 405-06; Organization, pp 407-08)

Consult Reading notes, PowerPt notes, Focused freewriting, All stories

Integrating Quotations: See Power Pt notes; also TSGW, pp 549-55/RW - See PPt notes
02 Assign 2: Drafting (Bring your charged laptop)

In class: Draft your formal sentence outline and audience sheet

 Drafting Resources

TSGW, Ch 10 (Introduction, p 408; Thesis, pp 404-405; 384; Well-Supported Argument, pp 405-06; Organization, pp 407-08)

Consult Reading notes, PowerPt notes, Focused freewriting, All stories

Integrating Quotations: See Power Pt notes; also TSGW, pp 549-55/RW - See PPt notes
04 Assign 2: Peer Review--Must Attend (No make up for this peer review)

Review Peer Review Policy (see syllabus)

TSGW, pp 409-10 (preview peer review questions)

1.) Typed copy of Audience Sheet 2.) Typed copy of formal sentence outline, including introductory paragraph (with thesis)

Electronic or handwritten copies of your audience sheet or draft are NOT acceptable for peer review
08 Assign 2: Return Peer Review Materials to Partner

Revision/Editing Chklist (handout)

Revision (TSGW, Ch 10/**Bring all stories)
**Introduction/thesis (Introductory Paragraph)
**Formatting (FS Outline)

Editing
**RW, Ch 12 Modification/Review of chpts 14, 16, 32 (a-e), 20























09 Assign 2: Revision, Editing, Proofreading

**
Bring both books

Bring
"clean drafts" (not peer review drafts) to class of your fornmal sentence outline + audience sheet so that you can write on these: on laptop or print copies.  (You can also bring your peer review drafts if you wish.)

Review/refer to stories as needed: Bring all stories/books

Revision (TSGW, Ch 10/Stories)
**Audience Sheet
**Supporting Reasons
**Quotations

Editing
**RW, Ch 12 Modification/Review of chpts 14, 16, 32 (a-e), 20
-----------------------------------

Final Class Meeting: 5/17, in our usual classroom
See below


Course Wrap Up
**Grammar Competition for extra pts!
**Look at quiz from first day of class

 Assign 2 Docs Due: May 17, Wed, during our final class meeting. See blue boxes below   
11No Class Meeting

Finals Week: May 15 - 19
Office Hrs during Finals Week: See website home page

Final Class Meeting: May 17, Wed, 10:15-12:15, in our usual classroom

Assign 2 Due:
Turn in during final class meeting: 1.) Formal Sentence Outline, 2.) Revised Aud Sheet, 3.) Rev/Editing Checklist, and 4.) Peer Review Docs (Aud Sheet draft + Formal Sentence Outline draft + partner's responses on notebook paper).  Paper clip these (do not staple)

Course Grades available on AccessPoint (Not Canvas): May 25 or 26

The General Education Program--Written Communication

Introductory writing classes provide an essential foundation of communication skills on which students can build throughout the rest of their university careers and beyond. They develop students' skills in analyzing audience, structuring written documents, and understanding and applying the conventions of effective writing. Subsequent writing courses build upon these skills by helping students learn to locate sources, critically analyze information, and synthesize their ideas with those of others to write well-supported academic arguments. They also provide an essential starting point for the more specialized writing students will be expected to do in the future within their fields of study.

The General Education Program Learning Outcomes for Written Communication (Foundation Level) are as follows:

  • Compose an articulate, thoughtful, grammatically correct, and logically organized piece of writing with properly documented and supported ideas, evidence, and information suitable to the topic, purpose, genre, and audience.
  • Apply your understanding of elements that shape successful writing to critique and improve your own and others’ writing through effective and useful feedback.
Course Description and Learning Outcomes

First-Year Composition 101 is a writing-intensive course that will give you experience writing for various purposes, for various audiences, and in different contexts. More than just a knowledge of "good grammar," effective writing requires a range of activities, from invention and planning to drafting and revising, activities that you will practice throughout the semester.  All of our assignments will return to the questions of why and how we write, which are important questions to think about as you choose topics, develop ideas, and reflect on what you write.  In addition to thinking carefully about each writing subject, we will examine the relationship between the writer and his/her subject as well as the issues outside of the classroom that shape the writer's thinking and connect him/her to communities and society.  You will also participate in peer editing sessions in which you will evaluate the essays of others as a way of helping your classmates and of improving your own evaluative skills.  Integrating computer technology into the study of writing, in the form of planning and drafting, editing, or research, will also be an important goal of the course. Along with these goals, you will need to develop your own writing goals as a means of assessing your progress throughout the semester.

  • Understand through class discussion and writing assignments how writing is a way of sharing information, expressing viewpoints, bringing about social change, and connecting people, all essential for an inclusive democracy
  • Analyze the relationship between the writer and his and her audience as well as the contexts that shape writing
  • Integrate reading, planning, drafting, peer review, editing, revision, and proofreading into the writing process with an emphasis on grammatical correctness as a means of effective communication

Texts

Text Rental

The St. Martin's Guide to Writing. Axelrod and Cooper. 13th ed., Bedford/St. Martin's P, 2022

Purchase at Bookstore

Rules for Writers. Hacker and Sommers. 10th. ed., Bedford/St. Martin's P, 2022.
**You will use this handbook throughout your university education.

Requirements

During the semester, you will complete weekly and longer-term writing assignments dealing with the topic of sports. Class discussions will be the most informative and helpful if the reading assignments have been carefully thought over and all students participate and share ideas. To prepare for class discussions, it will be helpful to take notes. Note key passages or language that points to central concerns or ideas in the reading assignments. Write out key ideas and concepts along with your thoughts and questions that you have. Throughout the semester you will be required to complete planning assignments and rough drafts. Please be prepared to bring these to class to share with classmates so that we can discuss them and make suggestions for improving them.

There will be weekly writing assignments, peer review assignments, and essays. The course grade will be determined mathematically using the percentages below. Please remember that your course grade will be based on the work that you submit, not simply on the effort you make and not on my subjective opinion.

Course Grade %
Weekly Writing/Quizzes** 20
Peer Review** 10
Essay 1 - Personal Narrative 30
Assign 1: Comic Strip Analysis: Comics & Culture (Collaboration/Group Essay)** 20
Assign 2: Formal Sentence Outline for a Literary Analysis 20
** Will be determined by point values: (Approx Grades): 5pt Assignments: A=5-4.5; B=4; C=3.5; D=3; F=2.5-0//10pt Assignments: A=10-9; B=8.5-8; C=7.5-7; D=6.5-6; F=5-0
See the course Grade Sheet for information about how to calculate grades 

All work must be completed on time. It is your responsibility to keep copies of all of your planning work, assignments, and quizzes. Some assignments may be submitted via email, and email communication will be required throughout the semester.

Late Assignment Policy: Assignments/essays due on a given day must be submitted at the beginning of the class period. An assignment/essay that is finished but not printed out and ready to hand in is late.

Late assignments will be accepted one day after the original due date, but will lose one letter grade or the point equivalent. After that, they will not be accepted. (Assignments due on Friday that are late must be turned in by 5pm.) Assignments due electronically must be received by the day and time specified. Late email assignments will be accepted 24hrs from the original due date. For any special circumstances, please contact me ahead of time. No incompletes will given in the course.

Essays submitted late will lose 1/3 of a letter grade each day they are late, including weekends (e.g., original grade B. Two days late, C+). For any special circumstances, please contact me ahead of time. It may not be possible to make up some quizzes or assignments.

Peer review: Peer review days are very important because you will receive specific, targeted feedback about your essays and, in turn, provide feedback for a writing partner. This process will help you become a more effective writer. Peer review days are mandatory. If you miss them, you will lose all peer review points. If you do not have all of the required documents, properly prepared, you will lose points for peer review and your essay grade may be lowered too.

For any special circumstances, please contact me ahead of time. It may not be possible to make up a missed peer review class.

Attendance

Regular attendance is your responsibility and is essential for success in the course. As stated in the online UWSP Course Catalog (UWSP Course Catalog pgs 25-26), you cannot "cut" classes.

There are no excused or unexcused absences in this course.  The only relevant factor is your number of absences.  However, you have personal days to use and manage as needed: For three-days-a-week classes: 5.  For two-days-a-week classes: 3.  Use personal days for family situations or sickness.  Be careful not to squander them.

If you miss a total of two weeks of class (six class meetings for classes meeting three times a week; four class meetings for classes meeting twice a week), you may fail the course.  If you are on a sports team, absences for games still count as personal days.  However, we will adjust your absence limit if absences because of games exceed the absence limit.  The attendance policy begins with the second class meeting. 

*It may be possible to make up missed assignments/quizzes with my approval; therefore, it is your responsibility to contact me to determine work that needs to be completed and to follow up with all logistical requirements.  However, it may not be possible to make up some assignments or quizzes.

If you are absent and have not exceeded your absence limit, you do not need to email me to explain your absence. If you would like to find out about missed information or assignments, it is best to stop by during office hours or make an appointment to see me. You can also email me, but I may not be able to respond before our next class meeting. However, you should email about an absence ahead of the due date if an assignment is due.

For an extended absence, do the following:  Follow the syllabus and keep up with readings/assignments; Stay in contact with me for information/resources/help; Look into getting notes from classmates (I can help with this); See me during office hours when you return to class.

Classroom Etiquette

During class meetings, we will discuss and debate issues about writing and literature. It is fine to express your views passionately and debate others in class, but do so in a civil, constructive manner.

Please do not use phones and mobile devices during class, even if you believe you are doing so quietly. Not only is this rude, but also it distracts other students as well as your ablity to focus on and follow class instruction and discussion. It is English Department policy that students cannot and should not record class lectures and discussion without permission from the intstructor. Also, please get drinks of water or use the washroom before or after class, not during class, so that our classroom does not become a bus station. Please see me if you need special accomodations.

Plagiarism (from the Latin "to Kidnap")/Cheating

You will be expected to do your own work throughout the course. Intentionally or unintentionally passing off the ideas, words, or sentences of others (e.g., published authors, website authors, other students) as your own is plagiarism, which will result in failing the plagiarized assignment and possibly the course. Please review the University policy regarding plagiarism.

Anyone caught cheating during quizzes or exams (e.g., looking at someone else's paper or using a cell phone) will fail the quiz or exam and be reported to the Dean of Students Office.